A textbook for undergraduate students consisting of case studies integrating practice and science.

The NODE.London Reader projects a critical context around the Season of Media Arts in London March 2006 and provides another discursive dimension to the events of October 2005's Open Season. It engages debates in FLOSS (Free/Libre and Open Source Software), media arts and activism, collaborative practices and the political economy of cultural production in the present day. It includes essays and artist projects from Sabeth Buchmann, Toni Prug, Armin Medosch, Simon Yuill, Chad McCail, Critical Art Ensemble, Jo Walsh, Richard Barbrook, Michael Corris, Harwood, Kate Rich, Agnese Trocchi, Matthew Fuller, Rasmus Fleischer and Palle Torsson, Brett Neilson and Ned Rossiter, Matteo Pasquinelli and Francis McKee.

This book celebrates and seeks to understand the overlooked appearances of hybrid forms in visual culture; artefacts and practices that meld or interweave incongruous elements in innovative ways. And with an emphasis on the material aspects of such entities, the book adopts the term 'mixed form' for them. Focusing on key phenomena in the last half millennium such as the cabinet of curiosities, the broadside ballad and the chapbook as early forms of image-text, the scrapbook, assemblage, and, in digital times, so-called 'mixed reality,' the book argues that while the quality of inconsistency is traditionally dismissed, its expression nevertheless plays a vital role in social life. Crucially, Mixed Forms of Visual Culture relates its phenomena to the emergence of the division of labour under capitalism and addresses the shifting relationships between art and life, when singularity and uniformity are variously valued and dismissed in the two arenas, and at different points in history. Two of the book's chapters take the form of visual essays, with one comprising an anthology of found scrapbook pages and the other offering an analysis of artists' scrapbooks. The book is richly illustrated throughout.

This book celebrates and seeks to understand the overlooked appearances of hybrid forms in visual culture; artefacts and practices that meld or interweave incongruous elements in innovative ways. And with an emphasis on the material aspects of such entities, the book adopts the term 'mixed form' for them. Focusing on key phenomena in the last half millennium such as the cabinet of curiosities, the broadside ballad and the chapbook as early forms of image-text, the scrapbook, assemblage, and, in digital times, so-called 'mixed reality,' the book argues that while the quality of inconsistency is traditionally dismissed, its expression nevertheless plays a vital role in social life. Crucially, Mixed Forms of Visual Culture relates its phenomena to the emergence of the division of labour under capitalism and addresses the shifting relationships between art and life, when singularity and uniformity are variously valued and dismissed in the two arenas, and at different points in history. Two of the book's chapters take the form of visual essays, with one comprising an anthology of found scrapbook pages and the other offering an analysis of artists' scrapbooks. The book is richly illustrated throughout.

All 29 episodes from the third season of Alfred Hitchcock's thriller anthology series. The British film-maker returns with a spin-off to his TV show 'Alfred Hitchcock Presents' with more murderous and suspenseful tales of mystery. The episodes are: 'The Return of Verge Likens', 'Change of Address', 'Water's Edge', 'The Life Work of Juan Diaz', 'See the Monkey Dance', 'Lonely Place', 'The McGregor Affair', 'Misadventure', 'Triumph', 'Memo from Purgatory', 'Consider Her Ways', 'The Crimson Witness', 'Where the Woodbine Twineth', 'The Final Performance', 'Thanatos Palace Hotel', 'One of the Family', 'An Unlocked Window', 'The Trap', 'Wally the Beard', 'Death Scene', 'The Photographer and the Undertaker', 'Thou Still Unravished Bride', 'Completely Foolproof', 'Power of Attorney', 'The World's Oldest Motive', 'The Monkey's Paw - A Retelling', 'The Second Wife', 'Night Fever' and 'Off Season'.

Sneezy Wheezy Rez was inspired by Payten's sneezes and love for the outdoors. Francis focused on Payten's first visual interests outside, such as grass, trees, flowers and birds. She hopes that Sneezy Wheezy Rez raises rhinoceros awareness, and helps keep these majestic creatures off the endangered species list.

Students from all over the world flock to Canada to pursue their studies. While every student has a different experience, there are some things that are important for student survival...and sanity. There has to be a balance between their academic and social lives, while managing to adjust to the winter season, which can last for a longer time than most students are accustomed to. This guide offers tips on how to become involved in your campus activities, create personal job opportunities, network, and how to gain some amount of financial independence. Additionally, you will find statistics and information from international students who have experienced university in Canada and wish to share their personal experiences and tips for success. Prospective and new students will find this guide very helpful, easy to read and very brief; because who has time to be reading a 100-page book on saving time and money?

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Charlotte To Werther: A Poetical Epistle Anne Francis Becket, 1887